IFAR Journal
Volume 11, No. 2
2009
2009
• Picasso Mosqueteros -- Great Late Picasso
— John Richardson
• A Model Killing Machine: Leonardo's Carro Falcato
— Lisa Duffy-Zeballos
• News and Updates: California Collector Maintains Handle on Suit Against Louis Vuitton: When Is a Murakami Print Really Just a Handbag?
— Mary Morabito Rosewater
• News and Updates: Decade-Old Schiele Case May Finally Head to Trial: Judge Shifts Burden of Proof for Portrait of Wally to Austrian Museum
— Nicholas Dietz
Volume 11, No. 1
2009
2009
• Cambodia — Angkor and Beyond: The Ravages of Time, War, and Looting — An IFAR Evening, March 26, 2009
— Olivier Bernier
• Dispute against the Warhol Authentication Board Allowed to Proceed — Second Plaintiff May Soon Step Forward
— Sharon Flescher and Mary Morabito Rosewater
• A New Holbein Erasmus Portrait? From Paris Auction to Rotterdam Exhibition
— Marco Grassi
• Van Gogh's Night Café is Subject of Ownership Dispute: Yale Files Preemptory Action to Quiet Title: Heir of Bolshevik Russian Owner — Morozov — Counterclaims
— Sharon Flescher
Volume 10, No. 3/4
2008/09
2008/09
• What Art Collectors Need to Know About Copyright — a Q&A
— Theodore Feder
• Looking at Art: The Conservator's View — To See Art or to Save It — A Century of Addressing the Dilemma
— Margaret Holben Ellis
• The Who, What, Why and How of the Cultural Property Advisory Committee (CPAC): Introduction
— Sharon Flescher
• The Who, What, Why and How of the Cultural Property Advisory Committee (CPAC): The Legal Basis
— Patty Gerstenblith
Volume 10, No. 2
2008
2008
• The Good Faith Owner and the Tardy Heir: Recent Cases Portend More Aggressive Defenses Against Holocaust-Era Art Claims
— Steven Alan Reiss and Jonathan Bloom
• Nazi-Era Restitution Lawsuits — New Developments in the California Courts
— Carla Shapreau
• Antiquities and the Law: A Survey of Recent Books
— Susan B. Bruning
• Rembrandt Laughing — A Forgotten Painting Comes to Light
— Lisa Duffy-Zeballos
Volume 10, No. 1
2008
2008
• Are They Pollocks? What Science Tells Us About the Matter Paintings: Preface
— Sharon Flescher
• Are They Pollocks? What Science Tells Us About the Matter Paintings: What's the Matter with Pollock? Issues of Connoisseurship and Abstraction
— Pepe Karmel
• Are They Pollocks? What Science Tells Us About the Matter Paintings: An Overview of the Scientific Analysis of the Matter Paintings
— Richard Newman
• Are They Pollocks? What Science Tells Us About the Matter Paintings: What Materials Tell Us About the Age and Attribution of the Matter Paintings
— James Martin